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	<title>Comments on: Schoolism Assignment 6 : Chase Scene</title>
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	<link>http://meridiandream.com/blog/2009/04/15/schoolism-assignment-6-chase-scene/</link>
	<description>drawing, storytelling, blogging.</description>
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		<title>By: Adam Ansorge</title>
		<link>http://meridiandream.com/blog/2009/04/15/schoolism-assignment-6-chase-scene/comment-page-1/#comment-252</link>
		<dc:creator>Adam Ansorge</dc:creator>
		<pubDate>Thu, 16 Apr 2009 12:34:45 +0000</pubDate>
		<guid isPermaLink="false">http://meridiandream.com/blog/?p=298#comment-252</guid>
		<description>People may rip on me for public crit.  Sent email.  Rip me there:)  Good stuff Jim!</description>
		<content:encoded><![CDATA[<p>People may rip on me for public crit.  Sent email.  Rip me there:)  Good stuff Jim!</p>
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		<title>By: steffen</title>
		<link>http://meridiandream.com/blog/2009/04/15/schoolism-assignment-6-chase-scene/comment-page-1/#comment-251</link>
		<dc:creator>steffen</dc:creator>
		<pubDate>Thu, 16 Apr 2009 11:12:31 +0000</pubDate>
		<guid isPermaLink="false">http://meridiandream.com/blog/?p=298#comment-251</guid>
		<description>Here&#039;s the what caught my attention Jim, in a kind of stream of conscience way, for what its worth:
I love page 3, it opens great.
I dont understand the arrows drawn near 10/3 - 10/5A, I assume its camera moves, but it made me think a sec.
I think there&#039;s an &quot;under-the-leg&quot; shot for 13, but I&#039;m guessing, so I think thats not clear, or why the cam. would be there.
I really like the stumble, that reads well for me.
Shot 26(and 30?)- what is she holding? his nose?
Shot 27- under the leg shot? confused.
By shot 35 I piece together that she has a hold of him, just as she&#039;s letting go.
Shot 39/1+2- maybe it would be more clear with a head turn arrow and/or an action arrow that shows its the gnarly dog that is moving through the shot.
By page 10, i would&#039;ve liked to see the girl gaining on them, or at least starting to follow again. She kind of suprises me that she&#039;s suddenly caught up.
I love 65 and 66, antic and push reads great.
and 67/2-4, great job on rolling the dog over.
74/2 to 76, did she swallow him? I get it, but I wanted to see something more before it cuts to her mouth closed.
Ok. Thats it. I don&#039;t know much about storyboarding, but i hope this is constructive for you, Jim. Keep it up!</description>
		<content:encoded><![CDATA[<p>Here&#8217;s the what caught my attention Jim, in a kind of stream of conscience way, for what its worth:<br />
I love page 3, it opens great.<br />
I dont understand the arrows drawn near 10/3 &#8211; 10/5A, I assume its camera moves, but it made me think a sec.<br />
I think there&#8217;s an &#8220;under-the-leg&#8221; shot for 13, but I&#8217;m guessing, so I think thats not clear, or why the cam. would be there.<br />
I really like the stumble, that reads well for me.<br />
Shot 26(and 30?)- what is she holding? his nose?<br />
Shot 27- under the leg shot? confused.<br />
By shot 35 I piece together that she has a hold of him, just as she&#8217;s letting go.<br />
Shot 39/1+2- maybe it would be more clear with a head turn arrow and/or an action arrow that shows its the gnarly dog that is moving through the shot.<br />
By page 10, i would&#8217;ve liked to see the girl gaining on them, or at least starting to follow again. She kind of suprises me that she&#8217;s suddenly caught up.<br />
I love 65 and 66, antic and push reads great.<br />
and 67/2-4, great job on rolling the dog over.<br />
74/2 to 76, did she swallow him? I get it, but I wanted to see something more before it cuts to her mouth closed.<br />
Ok. Thats it. I don&#8217;t know much about storyboarding, but i hope this is constructive for you, Jim. Keep it up!</p>
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